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Showing posts from January, 2010

Finding that "Magical" Guitar, pt. 3

I found a magical guitar! I was in Thoroughbred Music when it was on Hillsborough in Tampa. This was an awesome store, especially before they opened the one in Dunedin at the historic Kapok Tree location. I had an afternoon while visiting the Bay area to play pretty much every electric guitar they had, new and used. I knew I wanted a more Strat like guitar. I had been auditioning a number of guitars for months and had been impressed by the PRS EG-1 in a Ft. Myers shop. PRS only made them 18 months...their American strat copy (neck and pick up config) but with DUAL coil tap to give full humbucking sound when desired, for a Santana like tone). And here was a hand made electric (early 90's, before PRS started making low end lines) for just $800 with the solid color paint job. I had envied a Strat with the five way switch and the EG-1 was Paul Reed Smith's implementation of it, only with low buzz in single coil mode and much, much better mechanics and intonation up the fret b

Finding that "Magical" Guitar, pt. 2

Read the post below for the context... I missed out on that rare "magical" guitar. Things just weren't aligned financially. But I had gone from being unaware to suddenly keenly aware that a few individual guitars (whether electric, acoustic, or classic) were simply "magic," and that even the luthier who made them could not recreate that magic on cue. Not to say the probabilities are not higher with a great guitar maker. And they generally turn out very good guitars. But none turn out "magical" ones consistently any more than A-Rod can always hit a home run at will. I know. Magic can run in reverse too on guitars. The first Olson I played on was selling on consignment in a high end shop in Orlando back in the early 80's. I knew nothing of Olson except that my guitar teacher in college said they were great and I ought to go look. I traveled across the state and played it and frankly, was unimpressed with this particular one. It was a

Finding that "Magical" Guitar

Why are a very few guitars you play almost "magical" in tone and playability--even if they are the same model as others you've played? It's not the price, the make, or the model. Certain individual acoustic and even solid body electric guitars just "have it" while others don't. And I'm not talking about mere "stand out" guitars. Maybe one in ten of a certain model might "stand out" as significantly better than the others for some undocumented reason. I've seen this with Taylors and Breedloves. In a large guitar shop you can always find a few "stand out" guitars. But "magical" is something you only come across very occasionally. I'm talking about an individual guitar that for some undocumented reason has almost "magical" tone, playability, resonance, and just transports you the instant you start playing it. It has little or even nothing to do with: 1. Price 2. Who made it 3. The model